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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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The Conciliation, 1840 by Benjamin Duterrau

The art of conciliation

Magazine article by Gareth Knapman, 2017

Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Self portrait

Elegance in exile

Portrait drawings from colonial Australia

Previous exhibition, 2012

Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.

Portrait 32

June - August 2009

This issue features Vanity Fair, Nancy Bird Walton, William Barak, Sidney Kidman, Benjamin Duterrau's portraits of the Indigenous peoples of Tasmania, and more.

Trukanini

Trukanini

Trukanini

Trukanini, 1866 (printed 1890s)

Charles Woolley

Portrait, glass plate negative

Purchased 2011

Mary Ann Lawrence, 1841

Fits of delicacy and despair

Magazine article by Joanna Gilmour, 2009

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Dr Brown and Green Old Time Waltz

Where the wild things are

Magazine article by Michael Desmond, 2009

Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.

Ellen Stirling

Duty bound

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.

Portrait of Truganini, daughter of the Chief of Bruny Island, Van Diemens Land, c. 1835

Black and white history

Magazine article by Michael Desmond, 2009

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

Woureddy [Wurati], a wild native of Brune Island

Woureddy [Wurati], a wild native of Brune Island

Woureddy [Wurati], a wild native of Brune Island

Woureddy [Wurati], a wild native of Brune Island, 1835

Benjamin Duterrau

Portrait, etching, printed in black ink from one copper plate on paper

Purchased with funds provided by The Ian Potter Foundation 2009

Truggernana [Trukanini], a native of southern part of V.D. Land

Truggernana [Trukanini], a native of southern part of V.D. Land

Truggernana [Trukanini], a native of southern part of V.D. Land

Truggernana [Trukanini], a native of southern part of V.D. Land, 1835

Benjamin Duterrau

Portrait, etching, printed in black ink from one copper plate on paper

Purchased with funds provided by The Ian Potter Foundation 2009

Self portrait with glove

To Look Within

Self Portraits in Australia

Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

image not online

Benjamin Duterrau

Benjamin Duterrau, who arrived in Tasmania in 1832 at the age of 65, created the first Australian history paintings with his images celebrating Robinson's conciliatory relocation project.

2 portraits in the collection

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

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